A story of a young schoolboy who, with his classmates, has pledged to defend his country. In September of 1939 he goes to war on his own in the spirit of cadets during the insurrection of 1831. He is trying to protect his classmate, a 12-year old girl, in search of her mother during the war confusion.

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Small-time crook Rooney cons his crippled brother, a street-wise news vendor, into snatching a wealthy, emotionally-disturbed runaway to extort money from her parents, but the brother throws the get-rich-quick scheme awry by falling in love with her.

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When Shura's sister dies, Shura starts taking care of her newly orphaned niece. Her fiancee, Grisha thinks the child may be Shura's own, and his suspicions estrange them. This leaves the way clear for a shy neighbor who has loved her from afar to gain points as a potential mate. Stenberg's design is simple and effective - a strongly-colored portrait of the pensive heroine at a table that provides space for the title and limited credits.

Mario is torn between the commitment to do what he wants and the impulse to do what is most comfortable for him.

一名女子深陷三角恋情的困境，夹在两位昔日曾是好友、如今却反目成仇的男子之间，她最终会选择谁？

A love drama about two men in love with half-sisters but raised like real twin sisters in the setting of the 60s to the 70s.

In this four-part documentary series, leading Hollywood actors undertake a fascinating journey into their family's past by re-tracing the footsteps of their grandparents during World War Two. We follow the moving, personal stories of Helena Bonham Carter, Mark Rylance, Kristin Scott Thomas, and Carey Mulligan as they travel to historic locations, from the beaches of Dunkirk to prisoner of war camps in Asia, to learn about the war their grandparents experienced. All of the actors have unanswered questions about the scars war left on their grandparents, and in each episode one of the actors explore how six years changed the lives of their family and the world forever while learning about the life and death decisions that their grandparents faced.

Late in the 1980s, two documentary film makers found six German men, all in their 60s and 70s, who had been soldiers in the German invasion of the USSR in 1942. Each carried an 8mm camera into battle and they still had their film. "Mein Kreig" alternates between interviews with these older men, now apologetic, philosophical, or defiant about their participation, and the footage they shot. It's chronological: basic training, the train trip East, roof-top vistas of war-torn Warsaw, peasants in Belarus, the downing with carbine volleys of a Russian plane, winter, a holiday at the Black Sea, mud, impassable roads, death, destruction and retreat. "Home, that was the front," one says.